Loving Beethoven and your country seem to be a dangerous combination

Summary: Israel has a lot of experience silencing violent opposition but supporting Palestine peacefully through the Arts is still a dangerous threat.

A people that does not exist does not have a history or a culture. Palestine exists.  It has a long history and a deep culture. Successive Israeli governments have found that an awkward truth. Golda Meir, considered by many Israelis to be one of the country’s great prime ministers, in an interview with the Sunday Times in 1969 had this to say about the Palestinians: “It is not as though there was a Palestinian people in Palestine considering itself as Palestinian people and we came and threw them out and took their country away from them. They did not exist.”

Taking land away from people who “did not exist” has proven irresistible to successive Israeli administrations. The annexation of much of the West Bank anticipated for 1 July has not yet happened but seasoned observers on both sides of the issue believe that it will.  What is proving more challenging though is to eradicate history and culture.

On the morning of  July 22,  Israeli police and intelligence services entered the headquarters of the Jerusalem Society for Music Teaching and Research in Al-Zahra Street in East Jerusalem. The Jerusalem Society works in affiliation with the National Conservatory of Music teaching and promoting music to young Palestinians. The police launched a massive search of the office, confiscating files, documents and computers. This happened alongside a simultaneous search of the Yabous Cultural Centre, and the raiding of the home of Rania Elias, director of the Yabous Centre, and Suhail Khoury, director of the Jerusalem Society. Mr. Khoury and Ms. Elias, a married couple, were arrested and electronic devices, including their  mobile phones, were seized from their home. They were released late in the evening after more than twelve hours of continuous interrogation. Concurrently, Israeli forces searched the home of Daoud Al-Ghoul, director of the Jerusalem Arts Network – Shafaq. He too was arrested. After being released, he was subsequently taken into custody again  and released on 28 July with several conditions including that he is not allowed to leave his home for ten days.

Rania Elias, director of the Yabous Cultural Centre and Suhail Khoury, director general of the Edward Said National Conservatory [Yafa Jarrar/Twitter]
We thank Suhail Khoury, director general of the Edward Said Conservatory of Music, for permission to publish his letter:

Loving Beethoven and your country seem to be a dangerous combination.

Other than the ongoing daily policies the Israelis are trying to enforce in East Jerusalem, we do not know what triggered the attack on the morning of the 22nd of July, on The Jerusalem Society for Music Education “National Conservatory of Music” and Yabous Cultural Center, two of the most prominent cultural institutions in Jerusalem. The attack was simultaneous with the storming or our apartment and my arrest alongside my wife Rania, who manages Yabous. Bishop Attallah believes it is targeting Christian leadership in the city. Rania and I have considered the possible relationship with the court case underway for our family reunification. The Israeli authorities are trying to deny us living together in Jerusalem even after 22 years of marriage. And there are several other theories, all of which might be true. However, I believe that Beethoven is to blame, and I will tell you why.

I have been brought up listening to classical music. At four years of age, my mother tells me that I would stand in front of the gramophone and move my hands with the music as if I was the great Karajan himself conducting Beethoven’s 5th. My addiction to Mozart’s Ein Klein Nacht Music was intense, as she suggests. I was also brought up to love my country and care for its people and their wellbeing. I have dedicated my life trying to instil those two values in young Palestinian generations’ lives.

To only love Beethoven does not seem to bother the Israeli authorities. To only love your country also does not seem to bother them. Because if you love your occupied country and do nothing about it, there is no harm in that for them. If you act upon this love violently, Israel has a lot of experience of dehumanizing you and portraying you to the world as a terrorist. But to love your country and act on it by performing Beethoven seems to be dangerous, as the Israeli authorities have no prepared formula for how to deal with this “threat.” Suddenly, you become human in the eyes of the world, and Israel must hate that. How can anyone dehumanize a well educated and talented generation of Palestinians? How can anyone condemn an 80 strong Palestine Youth Orchestra getting a standing ovation from about 2000 Dutch spectators at the famous Concertgebouw in Amsterdam or a 4000 packed Royal Albert Hall in London?

In the Israeli police’s statement released the day of the attack, they mentioned that they targeted two institutions that promote Palestinian culture. Guilty as charged. But what we also promote is hope. We teach tolerance, respect of the other, gender equality, freedom of speech, cultural exchange, and fundamental human rights.

We teach children to love Beethoven, Mozart, Sibelius, Bizet, Rossini, Albeniz, and all of the great European and world classical composers. But we also teach the music of Abdul Wahab, Rahbanis, Said Darwish, and all of the great Palestinian and Arab composers of the 20th century.

So how can they silence us? They have chosen to attempt to smear our reputation by falsifying evidence of money laundering, an outrageous and baseless accusation. To get an Israeli judge to grant the police a warrant, they must make it seem dangerous; thus, the money laundering had to be for supporting terrorism. That is why the attack was accompanied by an extremist Israeli media campaign to try to discredit the work of hundreds of artists and the music learning of thousands of children.

Although our organizations love their country and have respect for their political parties and their struggle for independence, I can assure you that none of the ten members of the Shafaq network of Art centers in Jerusalem have any affiliation with any political party. The Israeli fanatic media fabricated these links.

The amateurish level of this Israeli news invention even failed to distinguish between Suhail Khoury, the Palestinian politician affiliated with the PFLP residing somewhere in the Diaspora, and Suhail Khoury the composer and choral conductor from Jerusalem writing this letter to you.

Nevertheless, the aim of this smearing attempt is severe and might lead to shutting us down. That is why we urge all our friends to move promptly and swiftly to safeguard the National Conservatory of Music and our cultural institutions in Jerusalem. Please organize music concerts to raise awareness. You can also lobby your politicians to pressure Israel to take its hands off our music school and Yabous Cultural Center. Sending condemning letters to Israeli diplomats in your respective countries might also help. Your support at this time is crucial so that we can continue teaching the love of Beethoven and the love of our Arabic music. Demand the Israeli authorities lift their foot off our necks so that we can sing in freedom.

Yours truly

Suhail Khoury
General Director

National Conservatory of Music

 

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